Abstract Expressionist painter Jean-Paul Riopelle was among the first Canadian artists to achieve international fame and recognition. Born in 1923, he studied at the École des Beaux Arts and the École de Meuble during the 1940s. He trained under Paul Émile Borduas, a founding figure of Les Automatistes, a group adjacent to the Surrealists that rebuked establishment, tradition and religious authority, favoring instead the subconscious as the driving force behind nonfigurative painting. He traveled to New York and Paris after the end of World War II, where his works were included alongside the leading Surrealists artists in several of the Expositions Internationale du Surrealisme.
In the 1950s he began to expand his canvases and turned to “abstract landscapism,” in which he experimented with medium and material. He began a relationship with Abstract Expressionist Joan Mitchell, with whom he stayed for fifteen years, who influenced his work to become increasingly focused on the process. He would throw paint onto his canvases, resulting in thick impasto and intense surfaces of abstract compositions filled with rich color. He continued to experiment with medium, turning to lithograph, assemblage collages, and sculpture beginning in the 1970s. Although their relationship ended in 1979, Riopelle stopped painting shortly after Mitchell’s death in 1992.
Abstract Expressionist painter Jean-Paul Riopelle was among the first Canadian artists to achieve international fame and recognition. Born in 1923, he studied at the École des Beaux Arts and the École de Meuble during the 1940s. He trained under Paul Émile Borduas, a founding figure of Les Automatistes, a group adjacent to the Surrealists that rebuked establishment, tradition and religious authority, favoring instead the subconscious as the driving force behind nonfigurative painting. He traveled to New York and Paris after the end of World War II, where his works were included alongside the leading Surrealists artists in several of the Expositions Internationale du Surrealisme.
In the 1950s he began to expand his canvases and turned to “abstract landscapism,” in which he experimented with medium and material. He began a relationship with Abstract Expressionist Joan Mitchell, with whom he stayed for fifteen years, who influenced his work to become increasingly focused on the process. He would throw paint onto his canvases, resulting in thick impasto and intense surfaces of abstract compositions filled with rich color. He continued to experiment with medium, turning to lithograph, assemblage collages, and sculpture beginning in the 1970s. Although their relationship ended in 1979, Riopelle stopped painting shortly after Mitchell’s death in 1992.